![]() ![]() He proceeds to the corpse of a woman who died in a car crash. Its ruthless and realistic depiction of grisly autopsies and a sinister surgeon with an inclination towards violent necrophilia has some of the hardest scenes to stomach in any horror movie, period." Awards and nominations Īftermath won in the category "Best Short Film" at the 1997 Fantasia Festival. The mortician starts to fondle the corpses when others leave at night. He quickly moves to the corpse of a young woman who died in a car crash. ![]() Bloody Disgusting rated it four and half out of five stars and wrote, "Aftermath, is definitely one of the most controversial films of the last couple of decades. When the others leave for the night, the last mortician begins to fondle the corpses. Or you may see something very insightful. town deals with the aftermath of a local preachers mysterious death. You may see nothing more in it than fetishism gone foul, however. Watch Timbertown 2019 in full HD online, free Timbertown streaming with English. While the ending is quite unnerving, the rest of Aftermath is an equally uneasy ordeal. Treating the departed as nothing more than a plaything for the fulfillment of one's most twisted desires almost erases any grander theme. ![]() Indeed, one could argue that Cerdà is making a larger point about defying death. While nothing is shown outright, the implication is repellent enough. It is not just carnal it is filled with volatility and extreme violence. the aftermath of being left by Jules at the train station and relapsing. Yet, at its core it is subtle, hauntingly beautiful, and every bit as rich in detail and composition as any other great film has ever been." DVD Talk awarded four and a half out of five stars and wrote, "The necrophilia in this movie is very disturbing. Watch Spider-Man: No Way Home Full Movie Online Free : Spider-Man: No Way Home. ( May 2019)Ĭritical reception for Aftermath has been mixed to positive, with some critics praising the film for its unflinching attention to detail, while others criticized the film for those same merits.ĭread Central wrote, "It is intense. As a baby's cries emanate from the television, the scraps of the newspaper the dog is eating the heart off of are shown to contain Marta's obituary. In his home, the pajama-clad mortician blends Marta's stolen heart into a pulp, which he gives to his dog before proceeding to relax in his sitting room. Unable to contain his lust any longer, the mortician engages in necrophilia, after setting his camera on automatic to record the event.Īfterward, the mortician autopsies Marta, cleans up and leaves. The mortician masturbates to orgasm while fondling Marta's breasts and innards, then takes photographs of his handiwork. The morticians complete their work on the dead men, and while one leaves, the other remains, and brings in Marta's body.Īroused by Marta, the mortician locks himself in the morgue with her body, undresses it, removes the brain, and caresses it with a knife, which he uses to mutilate Marta's vagina, and cut open her torso. The orderly overhears two workers performing autopsies on a pair of male bodies, looks in on them out of curiosity and leaves when one of the morticians (who is disturbingly enthused by his duties) glares at him. An orderly wheels Marta's body into a morgue drawer, past a mourning couple, who a nurse gives a crucifix necklace. Containing no spoken dialogue, Aftermath is the second installment in a trilogy of shorts by Cerdà, preceded by 1990's The Awakening, and followed by 1998's Genesis.Ī woman named Marta Arnau Marti dies in a car crash, after accidentally running over a dog. The additional, non-Mozart music cues, are simply perfectly placed and emotionally fierce.Aftermath is a 1994 Spanish horror short film written and directed by Nacho Cerdà. Cerda's GENESIS is equal in its technical department, but it lacks the power of its predecessor. AFTERMATH is a beautiful film, a gorgeously crafted gaze into the world of necrophilia and loneliness. Strong, potent films by the likes of directors such as Gasper Noe (IRREVERSIBLE), Ruggero Deodato (CANNIBAL HOLOCAUST), Yasaharu Hasebe (ASSAULT JACK THE RIPPER), Augustin Villaronga (IN A GLASS CAGE), and now, Nacho Cerda, are notable for the acutely attuned, aural instincts of their highly talented creators. I say "once again" because we have a pattern here. Once again, as is common with films of this nature, sound design plays a large part in the film's effectiveness. Mozart's "Requiem" accompanies the imagery. There is no plot, just a sequence of events leading up to the "rape" and desecration of a female corpse. Using no direct dialogue, Nacho Cerda employs pure cinematic technique to create a horror powerhouse in AFTERMATH. ![]()
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